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PC Magazine August 2016

All the tech you’ll need for your summer vacation on the road, plus a preview of macOS Sierra, lots of reviews and tips, and so much more.

PC Magazine August 2016

When we hit the highway these days, we’re taking along more than just a few changes of clothing and a bag of snacks: Our devices phones, cameras, computers, you name it come along for the ride too. In our August issue, we share lots of road-trip tech including must-have apps, tips for taking terrific photos, the top mobile hotspots to keep you connected, and even some of the best tech-centric cars we’ve reviewed.

And speaking of moving around outside, have you (or your kids) been catching creatures in Pok mon Go1? It’s a certified worldwide game phenomenon, but that’s not all it is: Our reporter discovered that Pok mon Go is also creating its own economy.

Mac fans, there’s a new OS in town: macOS Sierra. We tried out the beta version, so we have the scoop on everything from the basics to the details.

Just some of the products reviewed in this issue: the OnePlus 3 smartphone, FujiFilm X70 digital camera, HP Spectre 13 laptop, and Doom (for the PC).

As for tips and help, we show you how to get Google to quit tracking you, how to give Linux and LibreOffice a try for your home office, and lots more.

PC Magazine August 2016

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Carol Mangis manages the PC Magazine Digital Edition and PCMag on Medium. Her very first job in tech journalism was at PC Magazine (does anyone remember “After Hours”?), and she has also worked at Consumer Reports as an electronics editor. More 4

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Canon EOS 80D – PhotographyBLOG (blog)

Canon EOS 80D - PhotographyBLOG (blog)Canon EOS 80D - PhotographyBLOG (blog)


The Canon EOS 80D is a prosumer APS-C digital SLR camera. Successor to the three year old 70D, the EOS 80D features a 24.2 megapixel CMOS sensor, an updated Dual-Pixel CMOS AF system which now additionally offers continuous autofocus during live view stills shooting, an Intelligent Viewfinder which displays 100% of the frame, a 3-inch vari-angle LCD touchscreen, 1080p Full HD video up to 60fps in MP4 format with new time-lapse and HDR movie modes and a headphone port, 7fps burst shooting, a new 45 all cross-type point AF system, DIGIC 6 image processor, 7560-pixel RGB+IR metering system, built-in wi-fi and NFC, Anti-Flicker mode, and an ISO range of 100-25600. Positioned above the EOS 760D / Rebel T6s and below the EOS 7D Mark II, the Canon EOS 80D is available priced at 999.99 / £1199 for the body only or £1799 with the new EF-S 18-135mm f/3.5-5.6 IS USM lens.

Ease of Use

From the outside the new Canon EOS 80D looks very similar to its predecessor, the EOS 70D, which we reviewed back in 2013. Measuring 139.0 x 105.2 x 78.5mm, it’s ever so slightly bigger than the 70D, but slightly lighter at 730g including the battery and memory card. There’s a textured area on both the deep hand-grip on the front and around the thumb-rest on the rear of the 80D, and unlike the smaller and cheaper EOS 760D / Rebel T6s model, this camera is well-suited to everyone with normal to large-sized hands. The 80D continues to use a metal chassis covered with a plastic outer that is as weatherproof as its predecessor was. On more basic SLRs, adjustments are usually made using a combination of buttons and a single control wheel. This is fine for novices, but awkward for more experienced photographers who want to be able to quickly adjust a combination of exposure, shutter speed or aperture. Like Canon’s other semi-pro cameras, the Canon EOS 80D offers two control wheels; a small one on the top of the handgrip, and a large, spinning dial on the back of the camera. This rear quick control dial is characteristic of all high-end Canon EOS cameras. It’s a bit of an acquired taste compared to more conventional control dials, but you quickly get used to it and it is easy to spin. The 80D also has a conventional four-way controller set within the quick control dial, rather than the joystick that higher-end Canon DSLRs use, making it better suited to upgraders from the more consumer-orientated 760D / Rebel T6s. Less understandable is the controller’s design – sitting slightly proud of the circular dial that surrounds it and looking more like a wheel itself, it takes some time to get used to this less elegant arrangement. The quick control dial features a lock switch positioned directly underneath which helps to prevent unintentional changes to your settings.

The 80D has a handy dedicated Q button on the rear which which opens the Quick Control screen. Depending on which shooting mode you’re using, this lets you set various parameters via the LCD screen, using either the four-way controller or the touch-screen to move around the various options. The Quick Control screen is particularly well-suited to beginners and tripod work. The Canon EOS 80D features built-in wi-fi connectivity, which allows you to share images during playback via the Wi-Fi menu option. Enable the Wi-Fi menu option and the Wi-Fi Function option appears underneath, which contains six icons. The 80D can connect to another camera, a smartphone, a computer, a printer, the internet and a DNLA device respectively. Setup is long-winded but relatively straight-forward for each scenario, although you’ll need a basic understanding of the protocols involved (or consult the supplied User Guide). Note that you need to install the dedicated and free EOS Remote app to connect the 80D to the world’s most popular smartphone, or the Apple iPad and iPod Touch, or an Android device. You can then use your smartphone or tablet to remotely control almost every aspect of the camera’s operation, review images on a larger, more detailed screen and to transfer images between devices. The 80D can tag your images with GPS data (latitude, longitude, altitude and shooting time) just like many of the company’s compact cameras. We prefer having GPS built into the camera rather than having to sync it with an additional device, although it does consequently suffer from the issue of negatively affecting battery life. The EOS 80D has also added built-in NFC, which allows you to quickly transfer images to a compatible smart device by simply tapping them together.

On top of the Canon EOS 80D, positioned above the status LCD display, are four buttons, each of which has a single function rather than the dual-function buttons of some Canon DSLRs. While this makes it simpler to understand and easier to operate with the camera held up to your eye, it does inevitably lead to more scrolling through the menu system. There are two LCD displays on the EOS 80D, the 3-inch colour LCD on the rear and the smaller status panel on the top. On cheaper cameras, the LCD on the rear usually has to do both jobs, but on this model most of the key settings are visible from above on the smaller panel. This can make the Canon EOS 80D quicker to use and it may also extend the battery life, depending on how extensively you use the LCD screen.

Canon EOS 80D - PhotographyBLOG (blog)Front of the Canon EOS 80D

The main LCD screen offers a fantastic resolution of 1,040K dots, so you may find yourself using it more often than you thought. It allows you to judge the critical sharpness of your photos using the LCD screen, which has been a long-standing issue on Canon’s entry- and mid-range DSLRs. The screen also has an aspect ratio of 3:2 – i.e. identical to that of the sensor – so that the photos fill the screen completely, with no black stripes along the top and bottom. The EOS 80D has an articulated screen, which helps to realise the full potential of Live View and video shooting. The high-res, free-angle LCD screen is much more than just a novelty – it’s a lot more versatile than the usual combination of optical viewfinder and fixed LCD, providing new angles of view and enhancing your overall creativity. Above all, it’s a fun way of composing your images. The 80D is the latest EOS camera to feature a touch-screen. It supports a variety of multi-touch gestures, such as pinching and swiping, for choosing shooting modes, changing settings, tracking faces, selecting auto-focus points, and focusing and taking a picture in Live View mode. In playback you can swipe to move from image to image and pinch to zoom in and out, just like on an iPad or other tablet device. The ability to focus and take the shot with a single press of your finger on the screen makes it quick and easy to capture the moment.

The EOS 80D’s built-in pop-up flash features a built-in Integrated Speedlite Transmitter for controlling up to two groups of off-camera Speedlites without the need for an external transmitter. Note that the 80D still doesn’t have a PC Sync port for connecting the camera to external lights, limiting its use in studio environments. There’s also the expected hotshoe for use with one of Canon’s external flashguns. Like most DSLRs aimed at beginners and amateurs, the EOS 80D provides a number of auto shooting modes aimed at beginners, including portrait, landscape, close-up, sports, night portrait, hand-held night scene, and HDR backlight control, now grouped under the SCN option on the Mode dial on the top-left of the camera, which comes complete with a central lock button to prevent accidental movement. HDR Backlight takes three shots at different exposures and combines them into one with greater shadow and highlight detail, and the Hand-held Night scene mode takes multiple images at fast shutter speeds and blends them together for a sharp result. The fully-automatic Scene Intelligent Auto mode analyses the scene in front of you and automatically picking the best settings, much like the systems used by lot of digital compacts. There are, of course, manual and semi-automatic modes for users who want more advanced exposure control. Canon refers to these advanced operations as the ‘creative zone’ and provides all the normal settings including Program, Aperture and Shutter Priority and the full manual mode. Additionally, the Creative Auto mode is targeted at beginners who have grown out of using the Full Auto mode, allowing you to change a few key settings using the LCD screen via a simple slider system for changing the aperture and exposure compensation, or Background and Exposure as the camera refers to them.

Reflecting its more consumer-friendly nature, the 80D now offers ten creative filters, which are only available when shooting in Live View mode and for JPEGs, not RAW files. These include Soft Focus, which dramatizes an image and smooths over any shiny reflections, Grainy Black and White creates that timeless look, Toy Camera adds vignetting and color shift, and Miniature Effect makes a scene appear like a small-scale model, simulating the look from a tilt-shift lens.

Canon EOS 80D - PhotographyBLOG (blog)Rear of the Canon EOS 80D

In addition a feature called Basic+ applies a creative ambience to images when shooting in the Basic modes. Essentially a more extreme version of the well-established Picture Styles, Basic+ enhancements that can be applied to the scene modes include Vivid, Soft, Warm, Intense, Cool and Brighter. There’s also some control over what is essentially the white balance via the Shoot by Lighting effect, with the options being Daylight, Shade, Cloudy, Tungsten, Flourescent and Sunset. Once the EOS 80D is in the ‘creative zone’, users can adjust the ISO setting to one of nine positions from 100 to H(25600), which is more than adequate for most lighting conditions. The EOS 80D offers a range of three Auto focus modes (One Shot, AI Focus and AI Servo), and there are six preset, auto, kelvin and custom white balance options. The so-called Intelligent Viewfinder, which now offers 100% scene coverage, displays key exposure information including ISO speed AF mode selection and metering. The 80D uses a completely new 65-point auto-focus system, and all 65 of them are cross-type points, with the centre point being the extra sensitive double-cross type at f/2.8 and featuring EV-3 low-light sensitivity, helping to ensure that moving objects remain in focus even in very low light. There are four metering modes including a 4% Spot metering mode, useful in tricky lighting conditions as an alternative to the excellent and consistent Evaluative metering system. The 80D is the latest EOS camera to include infra-red and flickering light sensitivity, with the flicker detection mode automatically compensates for tricky indoor lighting by only taking the shot when the light levels are at their brightest level.

The menu system uses a simplified tab structure that does away completely with scrolling, with 15 colour-coded horizontal tabs (dependant upon the shooting mode) and up to 7 options in each one, providing quick and easy access to the various options. You can even setup your own customised menu page for instant access to frequently used settings via the My Menu tab. Only the complex Custom Functions menu detracts a little from the overall usability. We tested the EOS 80D with the new EF-S 18-135mm f/3.5-5.6 IS USM lens, which offers a versatile focal range and crucially includes image stabilisation. This is important for Canon, as competitors like Sony, Olympus and Pentax all offer image stabilisation in their DSLRs. The difference between Canon (and Nikon) and the others is that Sony, Olympus and Pentax have opted for stabilisation via the camera body, rather than the lens, which therefore works with their entire range of lenses. Canon’s system is obviously limited by which lenses you choose, but it does offer the slight advantage of showing the stabilising effect through the viewfinder. Canon and Nikon also claim that a lens-based anti-shake system is inherently better too, but the jury’s out on that one. The Canon EOS 80D offers fast, positive autofocus, which can track moving subjects very well and which is also near-silent. The new EF-S 18-135mm f/3.5-5.6 IS USM is also a very quiet performer, thanks to the built-in USM (ultra-sonic motor), which makes this lens very well-suited to video recording and more candid photography. If you’re upgrading from an older or cheaper digital EOS model and already have a lens or lenses, you can also buy the 80D body-only.

The EOS 80D features the latest DIGIC 6 processor, which produces noticeably faster image processing, start-up and image review times, and better noise reduction in high-ISO images than older EOS cameras (jump to the Image Quality page for ISO samples). Despite the increase to 24.4 megapixels, the 80D actually shoots just as quickly in the fastest Continuous mode as the previous 70D model, obtaining a speed of 7fps for up to 110 full-sized JPEGs or 25 RAW images.

Canon EOS 80D - PhotographyBLOG (blog)Top of the Canon EOS 80D

The 80D has a very similar Live View system to the 70D, with one important change to the autofocusing system which makes it a lot quicker. If you’re new to DSLRs and don’t understand the terminology, basically Live View allows you to view the scene in front of you live on the LCD screen, rather than through the traditional optical viewfinder. This is an obvious attraction for compact camera users, who are familiar with holding the camera at arm’s length and composing via the LCD screen. It’s also appealing to macro shooters, for example, as it’s often easier to view the screen than look through the viewfinder when the camera is mounted on a tripod at an awkward angle. There’s a dedicated Live View button on the rear of the camera to the right of the viewfinder, surrounded by a switch to choose between Movie or Stills shooting. A horizontal Electronic Level and very useful live histogram can be enabled to help with composition and exposure, and you can zoom in by up to 10x magnification of the image displayed on the LCD screen. Focusing is achieved either via the AF-On Lock button or more conventionally by half-pressing the shutter-button. Live View can also be controlled remotely using the supplied EOS utility software, which allows you to adjust settings and capture the image from a PC. Live View attempts to satisfy both the consumer and more technical user, with four types of focusing system on offer. Quick AF works by physically flipping the camera mirror to engage the auto-focus sensor, which then momentarily blanks the LCD screen and causes a physical sound, before the image is displayed after about 1/2 second. The other methods, Flexizone Single, Flexizone Multi and AF + Tracking with Face Detection, now use an image contrast auto-focus system, much like that used by point-and shoot compacts, the main benefits being the complete lack of noise during operation, and no LCD blackout, and additionally a phase-detection system that’s cleverly employed directly on the camera’s image sensor plane. All of the effective pixels on the EOS 80D’s CMOS sensor are able to perform both still imaging and phase-detection AF simultaneously (dubbed “Dual Pixel CMOS AF”), which makes the three Live View modes almost as quick as the Quick AF mode, especially the Flexizone Single mode, taking a less than a second to focus on a clearly-defined subject in bright light, which is much quicker than the 3 seconds that the older 60D took. You can also move the AF point anywhere around the middle 80% of the frame, and the 80D successfully and quickly detected faces in most situations.

The EOS 80D is the second Canon DSLR (after the cheaper 760D/T6s model) to offer AI Servo autofocussing in live view. Providing you half press the 80D’s shutter release, it’ll maintain focus before and during a shot with no focussing hesitation at the point of shooting, which is great if you spend a lot of time photographing moving subjects through live view. Live View and Dual Pixel CMOS AF are also used for the Canon EOS 80D’s movie mode. If you turn the Live View switch to the position denoted by the movie camera icon, the camera will enter the Movie Live View mode automatically. Before you start filming, you need to focus on the subject either manually or using auto focus as described above, and optionally set exposure and ISO. To be able to do this, you first need to set the shooting mode dial to Manual. Now you can set aperture, shutter speed (within limits) and ISO manually (note that even if you do not enable manual exposure for movies, you can still use functions like AE lock and exposure compensation if you feel a need for it). Once everything is set up, you can start filming by hitting the Live View Start/Stop button on the back of the camera. The EOS 80D offers a choice of 60/50/30/35/24fps when recording Full 1920×1080 HD video clips in either the ALL-I or IPB codecs with optional embedded time code, and 60/50/20/25fps when shooting at 720p. Note however that the available frame rates are also dependent on what you have set in the menu under “Video system”: NTSC or PAL.

The EOS 80D will automatically adjust focus during filming, and you can initiate auto-focus at any time while recording a clip. However, be warned that this can do more harm than good, as, depending on the lens, the microphone can pick up the sound of the focus motor, and the subject might even go out of focus for a second or two. Setting a small aperture and relying on depth of field for focus is a better idea. Of course you may wish to utilise the DSLR’s ability to produce footage with a shallow depth of field, but in that case, it might be a wise idea to purchase a couple of third-party accessories that make manual focusing and focus pulling easier.

Canon EOS 80D - PhotographyBLOG (blog)The Canon EOS 80D In-hand

Basic in-camera movie editing allows you to shorten a video file by clipping segments from the beginning or the end. There is a built-in microphone for stereo recording, and you can connect an external microphone equipped with a stereo mini plug to the camera’s external microphone IN terminal. Note that there also now a headphone jack for audio monitoring. You can also manually adjust the sound recording level in 64 steps to help ensure that the audio track matches the visual quality of the video, and there’s also an electronic Wind Filter. The EOS 80D uses the same dust-removal technology as previous models, where the sensor is shaken briefly at high frequency to dislodge any dust particles from its surface. This could delay the need for manual sensor cleaning, perhaps indefinitely, but it won’t be able to remove ‘sticky’ deposits like salt spray, pollen or the smears left behind by careless sensor cleaning or the wrong kind of solvent. The 80D also inherits the internal Dust Delete Data system from the 70D, which can map the position of visible dust on the sensor. This can then be deleted automatically after the shoot with the supplied Digital Photo Professional software. Lens Aberration Correction is a feature that’s actually a lot simpler that it initially sounds. Basically it corrects the unwanted effects of vignetting, typically seen in wide-angle photos in the corners of the frame, and chromatic aberrations, otherwise known as purple fringing. The 80D contains a database of correction data for many Canon lenses and, if Lens Aberration Correction is enabled, automatically applies it to JPEG images. For RAW images the correction is applied later in the Digital Photo Professional software. Up to 40 lenses can be programmed into the 80D, with over 80 currently available to choose from. Lens Aberration Correction is a useful and effective addition, particularly for JPEG shooters, and can safely be left turned on all of the time.

Once you have captured a photo, the Canon EOS 80D has an average range of options for playing, reviewing and managing your images. More information about a captured image can be seen on the LCD by pressing the Info button, which brings up an image histogram and all the shooting Exif data, including shutter speed and the time and date it was captured, with a second press displaying an additional RGB histogram. It is simple to get a closer look at an image as users can zoom in up to 15 times, and it is also possible to view pictures in a set of nine contact sheet. You can also delete an image, rotate an image, view a slideshow, protect images so that they cannot be deleted, and set various printing options. A rating of 1 to 5 can be assigned to your images in-camera, and these tags can also be viewed on a computer using Canon s DPP software and some third-party image editing programs. For RAW shooters, the EOS 80D features in-camera RAW image processing. The following adjustments can be applied to any RAW image that you have taken – Brightness, Quality, White Balance, Color Space, Picture Style, Peripheral Illumination Correction, Auto Lighting Optimizer, Distortion Correction, High-ISO Noise Reduction, and Chromatic Aberration Correction. The image is then saved as an additional new JPEG file without affecting the original RAW data. The documentation that comes with the 80D is very good, as it is with all Canon cameras, with a detailed manual that includes everything you need to know about the camera’s operation. Unfortunately Canon have decided to cut their costs by only including it on the supplied CD-ROM, which isn’t much use when you’re out shooting with the camera.

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Canon EOS 80D - PhotographyBLOG (blog)


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TG-Tracker – imaging resource

Olympus TG Tracker Review — First Impressions

Preview posted 1

TG-Tracker - Imaging Resource

The TG Tracker marks a new direction for Olympus’ Tough series

With its unusual TG Tracker, Olympus takes its long-running TG-series of Tough-branded cameras in an altogether rather different direction. The company is billing the TG Tracker as a “rugged experiential camera”, and points at the wearables market as an indication of the public’s desire for ever more data — something the Olympus TG Tracker should provide in spades. To our mind, the TG Tracker is reminiscent of a GoPro camera, but taken to its logical conclusion. It keeps the action-friendly rugged design typical of an action camera — or perhaps a little more so, since no water and shock-resistant housing is needed — and then adds the ability to capture a constant black box-style stream of data throughout video recording. If you’ve ever wanted to know — and prove to your friends and family — just how deep you were diving when you reached that shipwreck, how high you soared in your glider flight, how far you hiked along that mountain trail, how cold it was at the top of that piste or how fast you were traveling as your bike tore down that trail, then this is the camera for you.

As you’d expect of the Tough series, the Olympus TG Tracker is ultra-rugged

Olympus’ TG-series cameras have developed quite a name for themselves in the rugged camera segment, thanks to some seriously solid build quality. The Olympus TG Tracker is no different, promising to take a beating and keep on shooting without the need for an external housing of any kind. Straight out of the box, the TG Tracker is waterproof to depths of 100 feet (30m), shockproof for a drop from as high as seven feet (2.1m), and crushproof to a force of 220lbf (100kgf). It’s also said to be both dustproof and freezeproof to 14 F (-10 C).

TG-Tracker - Imaging Resource

The Field Sensor System helps the Olympus TG Tracker stand out from the crowd

The action camera marketplace has gotten pretty crowded over the last few years, and for the manufacturers, that means their products need to stand out. Olympus’ effort to do just that can be seen in what it’s calling the Field Sensor System, appearing for the first time in the Olympus TG Tracker. We’ve seen most of the sensors which make up the Field Sensor System in past cameras. For example, the Olympus TG-4 already included the TG Tracker’s onboard GPS receiver (compatible with GLONASS and QZSS, as well as A-GPS data), digital compass and barometer / manometer. And several past Olympus Tough models have also included a three-axis accelerometer, as well.

In fact, the only sensor we haven’t seen in a Tough camera before is the TG Tracker’s temperature sensor. (This new sensor, incidentally, will only log data constantly if the camera is underwater or set to log mode.)

But it’s not the presence of these sensors which is the big story here — it’s the manner in which they’re being used.

TG-Tracker - Imaging Resource

All those sensors allow for some pretty cool features

For one thing, the Olympus TG Tracker allows you to record data from all of its many Field Sensor System inputs all of the time, much as some cameras allow you to capture a continuous GPS track log. But instead of recording just your location, the TG Tracker will also let you know what your direction, speed, altitude or depth and ambient temperature were at any given point along the way. Although we’ve yet to see specific figures, power consumption for this functionality is said to be “minimal”, and there’s a dedicated external control with which to enable or disable logging. Logs can be viewed on the camera’s own screen, or on your smart device or computer post-capture.

Manage video chapters based on the TG Tracker’s accelerometer

The accelerometer, meanwhile, enables the TG Tracker to automatically tag recorded videos with chapter information, making it easy to skip forwards or backwards to the interesting points. This optional function operates on a fairly simple and logical assumption: If there’s a big spike in recorded G forces, something interesting is probably happening. You can set a threshold level of 4G or 7G, and if this value is exceeded — because you just landed a jump on your bike, say — then a chapter tag will be added to the video at that point.

TG-Tracker - Imaging Resource

The Olympus TG Tracker automatically configures itself for underwater shooting

Another nifty trick is that the Olympus TG Tracker can detect when it is submerged — likely using the aforementioned barometer / manometer sensor — and then configure itself appropriately for underwater capture. Submerge it to a depth of 1.6 feet (0.5m), and the TG Tracker will automatically switch the white balance to underwater mode, and the log display function to show depth.

Play back your movies and they’re shown alongside sensor data

Using the freely-available Olympus Image Track v2 app for Android or iOS devices, your smartphone or tablet can play movies captured with the Olympus TG Tracker. And the really cool thing is that they can be shown alongside graphs of sensor data. For example, you could attach the camera to a quadcopter and then get a high-quality 4K video feed of your flight alongside a graph of your altitude profile throughout, or a graph of your scuba dive alongside a chart showing the water temperature plunging as your depth increases. You can also opt for a more detailed display of logged info, including data that’s relevant to your selected activity type. For example, a hiker might be able to see their start and stop time, hike duration, distance traveled, elevation change, max / min / average altitude, temperature and air pressure, and finally their max and average speed and vertical speed. If you’re looking to push yourself even harder on subsequent hikes, that information could prove rather handy for a post-hike comparison.

TG-Tracker - Imaging Resource

The Olympus TG Tracker’s second lens is a flashlight

Another unusual feature of the Olympus TG Tracker becomes immediately obvious at a glance. It looks for all the world as if there are two lenses on the front of the camera, one of them big and one a bit smaller. In actual fact, the upper “lens” is an LED-powered flashlight, used to provide a constant illumination source for video capture or a brief “flash” for photos. This flashlight is also used to provide what Olympus is calling a “headlight” function, enabled even when the camera is powered off by holding in the Info button. You have a choice of two brightness levels — either 30 lumens for 30 minutes, or 60 lumens for one minute. At 30 lumens, the flashlight should have a three foot (1m) range, and at 60 lumens, that increases to 10 feet (3.5m).

The TG Tracker is a very basic — if extremely wide-angle — camera

As you can probably tell from our coverage thus far, the Olympus TG Tracker is a pretty unusual device. As a camera, its specs are a bit on the limited side, though. Images and movies are captured with the pairing of an eight megapixel 1/2.3″-type, backside-illuminated CMOS image sensor and TruePic VII image processor. These allow both 4K video capture — a first for the company, if you ignore the treacle-slow 15 frames-per-second 4K mode of the Olympus SH-3 — and at a more realistic frame rate of 30 fps.

A very wide fixed-focus, fixed-focal length lens

The sensor sits behind a 1.58mm (13.9mm-equivalent) fixed-focus prime lens with an f/2.0 aperture. The lens has a seven element, seven group design, and a 204-degree field of view, exceptionally wide for most uses but quite desirable for action camera footage. The fixed-focus design provides sharply-rendered subjects from 7.8 inches (20cm) to infinity.

TG-Tracker - Imaging Resource

Stabilization and underwater modes crop your field of view significantly

The lens itself is unstabilized, although a five-axis digital image stabilization function is provided during video capture. Enabling this reduces your field of view to 161 degrees, since some room must be left to pan the active area around the image sensor during capture. When shooting in underwater mode, your field of view is reduced still further to 156 degrees above water, or 94 degrees below water. If the digital stabilization function is enabled, these figures plunge to 126 and 84 degrees, respectively.

The Olympus TG Tracker has a tilt-out LCD, but no swiveling for selfies

The Olympus TG Tracker boasts a tilt-out LCD monitor, but other than the articulation it seems pretty dated by modern digicam standards. There’s no swivel capability, likely because it would be hard to ruggedize, weather-seal and waterproof. It’s also a tiny 1.5-inch 4:3-aspect screen, and has a low resolution of 115,000 dots. It does at least offer a two-step brightness control, however.

Exposure control is also pretty basic

This is also a very simple camera in some other respects, which isn’t surprising in the action camera market. There are only four white balance modes — Auto, Sunny, Cloudy and Underwater — for example, and images are recorded only in compressed JPEG format. Shutter speeds span a range from 1/2 to 1/24,000-second, and 2.0EV of exposure compensation is available in 0.3EV steps. One last noteworthy feature is an interval timer function which has interval sizes of 0.5, 1, 2, 5, 10, 30 or 60 seconds.

TG-Tracker - Imaging Resource

Stills aren’t the main focus for the Olympus TG Tracker, video is

Still imaging clearly isn’t the main focus of this camera, however. Video is the big deal here, which is why we get the aforementioned 30 frames-per-second 4K mode, a first in Olympus’ camera line. There’s also a choice of 1080p (Full HD) footage at 30 or 60 fps, as well as 720p (HD) or 480p (VGA) footage at 30, 60, 120 or 240 fps. Audio is recorded with an internal stereo microphone. There’s a 4GB / 29-minute clip length limit, but the good news is that the Olympus TG Tracker will automatically start recording a new file as soon as the previous one has reached its capacity limit. There’s also a timelapse movie function, which has the same interval sizes as the still image interval timer: 0.5, 1, 2, 5, 10, 30 or 60 seconds.

The TG Tracker promises good battery life and connectivity options

Obviously we’ve not tested the TG Tracker for ourselves as of this writing, but manufacturer-rated battery life seems good for an action camera, at around 480 still frames or 95 minutes of 30 fps 4K video footage on a charge. The battery pack used is a proprietary LI-92B lithium-ion rechargeable.

Connectivity options are fairly generous too, with 802.11b/g/n Wi-Fi wireless networking, a USB micro connector and Type-D HDMI micro connector all available. Images and movies are stored on MicroSD cards, with both the higher-capacity SDHC and SDXC types as well as the higher-speed UHS-I types all compatible with the TG Tracker.

TG-Tracker - Imaging Resource

There’s a generous bundle for the Olympus TG Tracker, too

The product bundle is also pretty generous, which is great news. As well as the camera, you’ll get a lens protector, underwater lens protector, a mount coupling with selfie mirror on the front (handy since the LCD can’t swivel for selfie shooting), plus a pistol grip handle that attaches to the mount coupling, a battery and charger, USB cable and strap. The camera can charge while in use, incidentally, but not without opening its case, meaning that it isn’t weather-sealed while charging is underway.

Mount your TG Tracker with an optional case (and maybe GoPro accessories, too)

As well as these bundled accessories, Olympus is also offering an optional Tracker Holder accessory. This attaches to belts or straps, and has both a carabiner and spiral safety cord to prevent accidental drops. It allows access to both the Wi-Fi and Log controls without removing the case. The pistol grip can be used with the case fitted, and the operational LEDs remain visible.

We also understand that the TG Tracker will likely fit standard GoPro accessories, although obviously Olympus can’t really advertise it as such. (And we doubt the company has tested every first- and third-party GoPro accessory on the market, either, so it’s possible that some may not fit perfectly.)

TG-Tracker - Imaging Resource

How to buy the Olympus TG Tracker

Want to purchase the Olympus TG Tracker for your next extreme video-shooting session? You’ll be able to get your hands on one in the US market from June 2016. Pricing is set at around US£350 (CA£480 in Canada), and available body colors include green and black. The optional Tracker Holder accessory is priced at US£30 (CA£40 in Canada.)

Olympus TG-Tracker


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